"Year of the Adopted Family" book release

Friday, January 23, 2009

Adoption Class: The Room Surrounded by Kleenex & The Search for Our Queen


Casey and I were one of the first couples to enter the room and everywhere we looked there were boxes of Kleenex.

I had grabbed a few of my own tissues before walking out the door.

I knew it was going to be emotional for these two days of the Adoption Education Seminar.

As other couples filed their way into the room, I quietly watched them.

I wondered, "What was their story?"

I knew ours.

On May 19th, 2009, Casey and I would be married for eight years. No children.

We went to doctors to be tested. Was it because of me? Was it because of Casey? Was there any reason?

The doctors had nothing to say to us. To them, we seemed fine.

I almost wished there was something said because then there would be an opportunity to fix it.

We had wanted kids since the beginning so eight years seemed like an eternity.

While at the home of Casey's parents, his father mentioned adoption and how some little one may be waiting for us through that way.

Something burned within me.

On the drive home, I told Casey. He said he felt it, too.

Yes, we had heard the stories of people who became pregnant once they started the adoption process. That was not the reason we started it.

We felt that regardless of how we had children--even if we became pregnant along the way--that we would still pursue the adoption process.

So here we were--at this two-day Adoption Education Seminar.

Many things were shared. Many things were learned.

Every so often I flashed to the Colombian story The Gardener's Wife.

In this story you have two women who desperately want to have children: the Gardener's Wife and the Queen.

The Queen is able to have children but, unbeknown to her, the two jealous older sisters, act as midwives and switch her children for either a dog, a cat, or a stick.

Every time the Queen must confront the King. What must he think.

But the Queen never says anything. Instead, her emotions are revealed through a sigh, a grieving groan, or a silent tear.

The Queen does not know that somewhere beyond the boundaries of her kingdom is where her children have been placed. Or at least placed as to how the Winding River carried the floating wooden boxes.

These boxes come--one by one--when the Gardener's Wife is in her deepest despair. She and her husband see these babes as blessings from above.

It was meant to be.

It was a gift.

Warmth and love returns to the heart of the Gardener's Wife. Not that she was cold and unfeeling before, but a certain side of her was unable to function until this moment.

Meanwhile, the Queen is in despair. How could she have these children and yet not have them? What curse had come upon her? When would she have the family she so desired?

Then, as can only happen as time passes, the Queen sees the beautiful garden kept by the Wife. She sees the oldest child. Her child. Something stirs inside her but she does not understand. . .that she is looking upon her own child.

Though, the Queen is filled with a burning. She feels three things are missing and ask the Gardener's Wife if her three children could go on a quest for these things.

More adventures happen but it is not until the quest is achieved that the Queen returns to the home of the Gardener's Wife. The two mothers realize that the three children are their children.

The mother who brought them in to the world and the mother who taught them how to live in the world were together.

And the children loved them both.

Then I thought to my life.

Somewhere was a Queen--the birth mother--for the child we wish to have in our home.

The Adoption Education Seminar shared how there was a time when the process is "my baby" to "our baby" to "your baby".

My eyes were opened more so to this process when we had the Birth Mother Panel. This was a part that was open to our family and friends.

I was thrilled--and tears formed--when Casey's parents were there along with three of my sisters-in-law with spouses.

Then, Holly Robison was there.

Holly would harmonize during the telling of The Gardener's Wife and it was special for her to be there. We both thought of the story as we heard the moving stories from the birth mothers.

We hugged.

Then I turned to my husband.

We knew that out there was the Queen, our Queen.

Until we tell again,

Rachel Hedman
Professional Storyteller
Former Co-Chair of Youth, Educators, and Storytellers Alliance (2005-2008)
Tel: (801) 870-5799
Email: info@rachelhedman.com
Performance Blog: http://familyfamine.blogspot.com
Other places to find me: Twitter, YouTube, Facebook, LinkedIn, Professional Storyteller

Thursday, January 22, 2009

Unable to Hear: Time Still Chimes Forth


As a storyteller, sometimes the mouth is cherished more so than the ears.

Foolish me.

Besides, my story buddy, Holly Robison, is always saying, "
I've got a nose for a tale, so lend me an ear!"

In any case, it was a relief to have our practice in-person after last week's practice over the telephone with Holly.


She harmonizes two songs in the Colombian story The Gardener's Wife and the phone does not give justice to the singing. I could barely hear her so to know if all went well.

Yet, even with our in-person practice today, it seemed that something was wrong with my left ear.

It was as if someone had stuffed a sock into my ear.

My schedule was so intense that I thought, "I have no time to see a doctor!"

But I worried.

Strange that I comforted myself with, "My right ear works fine."

I searched online and searched for my symptoms. One link told me to hum. If I sounded louder from the side of the clogged ear, then most likely it was not a permanent hearing loss.

I sounded louder.

I did not feel an urgent need to see the doctor then.

As soon as Holly and I finished practicing, I headed to the Ruth Vine Taylor Library to meet with my Utah Storytelling Guild friends Carol Esterreicher and Jan C. Smith.

Carol, Jan, and I meet every 3rd Thursday to improve either the development of stories or the development of our story business.

To no one's surprise, I wanted to practice a story for the premiere.

As I told The Gardener's Wife with Holly, I chose to tell The Changeling with Carol and Jan.

Though, stewing inside my brain (besides an ear problem) was when I discovered that the same night as my Family Famine: Hunger for Love premiere was another storytelling concert in the neighboring town despite my efforts to avoid such a scheduling conflict.

My frustration must have merged into my telling of the Irish tale as Jan commented how much dark this story seemed.

She mentioned two moments that made it dark:
1. Mrs. Lynch and the way child abuse was alluded to in relation to her son and how Mrs. Sullivan responds
2. Mrs. Sullivan and the choice whether to send a red-hot poker down the changeling's throat in order to receive her baby back

Knowing that The Changeling would be the first story told at the premiere, Jan expected more of a "ha-ha" kind of story.

There were a few moments of humor, but it had more a creepy or ghostly feel than anything else.

I had two decisions before me:
1. Would I listen to this reaction and lighten the mood of the story?
2. Would I see the doctor to be able to hear. . .properly?

Time would have the answer for time still chimes forth whether or not I choose to listen.

Until we tell again,

Rachel Hedman
Professional Storyteller
Former Co-Chair of Youth, Educators, and Storytellers Alliance (2005-2008)
Tel: (801) 870-5799
Email: info@rachelhedman.com
Performance Blog: http://familyfamine.blogspot.com
Other places to find me: Twitter, YouTube, Facebook, LinkedIn, Professional Storyteller

Liability: Aim for the Board and not the Fingers


I purchased my first staple gun. Then, I used one for the first time.

Sound like a liability problem?

Not really. I have an insurance license with Aflac and have the accident plan. I'm covered.

Though, I should be as careful as possible before the premiere day. After all, it will be filmed.

I was told about the various booths up and down the same street at the Covey Center for the Arts, the same place as my premiere. I knew a poster needed to be stapled to each one.

The booths were three sided with a fourth glass side. The glass side was reserved for the government. Depending on the space, I put up either a poster or two postcards.

Why two postcards? Then one side had the image of the soup, hands, and steam while the other side shared the information.

Along the way, I entered certain stores that displayed other posters that would occur in the Covey Center for the Arts.

I knew the people inside these stores would probably give permission to tape my poster alongside the other posters.

Then a group of ladies walked by.

I called out, "Hey, do you know how far these booths go?" They said that there were booths for a couple more blocks. Then it was best for me to turn around.

Eventually, they asked about my event.

I was only too glad to share.

I had their attention when I mentioned how the Family Famine: Hunger for Love program celebrated storytelling as the main stage art with the merge of an electric guitarist, an upright bass player, and a singer.

The ladies, who worked in the same building, said they would love to attend. It was the cue to give each of them their own Family Famine: Hunger for Love postcard.

Finally, I reached the last booth outside the Covey Center for the Arts. A man waiting for the bus was kind enough to take the picture you see with this post.

The same day that my fingers were in possible danger from a staple gun was also the same day that I bought liability insurance for the Family Famine: Hunger for Love premiere.

Part of receiving the insurance included asking questions like, "Will you have pyrotechnics for the show?"

Um. No. But what a great idea!

Then I crossed off the fireworks on my "to do" list as I had not budgeted for these items. Alas!

With the paperwork done, I handed over my debit card and was charged $125.00 based on the number of performers, the level of risk, and the estimate of people to attend.

Whew! Now I was covered there!

I tucked away my debit card and my staple gun and headed home.

Until we tell again,

Rachel Hedman
Professional Storyteller
Former Co-Chair of Youth, Educators, and Storytellers Alliance (2005-2008)
Tel: (801) 870-5799
Email: info@rachelhedman.com
Performance Blog: http://familyfamine.blogspot.com
Other places to find me: Twitter, YouTube, Facebook, LinkedIn, Professional Storyteller

Tuesday, January 20, 2009

Forsaken Brother Practices: Ideal vs. Reality


As always on Tuesday morning, I headed to Julie Barnson's house to practice Forsaken Brother.

I got to practice with guitarist Joshua Payne again.

I felt chills every time he made the guitar howl like a wolf for the story.

Although upright bass player Geoffrey Rayback could not make any of these Tuesday morning practices, I knew that Joshua recorded every session (as did I) and that Geoffrey would mostly follow Joshua when it came to the premiere.

Of course, I would have loved to practice more often with Joshua and Geoffrey, but sometimes the ideal must be substituted with reality.

Rather than dwelling on the "I wish", there is always something to celebrate.

However, the next Tuesday we would practice in the evening and Geoffrey could make that one.

Yes, we would be able to practice as a trio before the premiere.

Until we tell again,

Rachel Hedman
Professional Storyteller
Former Co-Chair of Youth, Educators, and Storytellers Alliance (2005-2008)
Tel: (801) 870-5799
Email: info@rachelhedman.com
Performance Blog: http://familyfamine.blogspot.com
Other places to find me: Twitter, YouTube, Facebook, LinkedIn, Professional Storyteller

Monday, January 19, 2009

Postcards & Letters: Temptation to Give to Everyone


I have several phases of sending out Family Famine: Hunger for Love postcards as every month --and lately every day--I have more contacts.

As I have only so many postcards, then I must decide who would be my strongest candidates for supporting my venture.

If my budget would support it, I would love to give a postcard to everyone in the world.

Then that would be throwing my Communications Marketing education at Brigham Young University in the garbage can.

Today my focus was on the Local Art Councils in Utah as well as the members of the Utah Storytelling Guild.

Though the Local Art Councils received individualized signed postcards, I wrote a letter for each of the USG members. And signed, of course.

I added a postcard within the letter.

I encouraged each USG member to share the postcard with a neighbor, friend, or acquaintance.

I am grateful for everyone's help to spread the word about the premiere.

Until we tell again,

Rachel Hedman
Professional Storyteller
Former Co-Chair of Youth, Educators, and Storytellers Alliance (2005-2008)
Tel: (801) 870-5799
Email: info@rachelhedman.com
Performance Blog: http://familyfamine.blogspot.com
Other places to find me: Twitter, YouTube, Facebook, LinkedIn, Professional Storyteller