"Year of the Adopted Family" book release
Showing posts with label Don Doyle. Show all posts
Showing posts with label Don Doyle. Show all posts

Friday, December 19, 2008

"The Gardener's Wife": French Scenes technique


Each story in this "Family Famine: Hunger for Love" premiere will be my chance to use the French Scenes technique for storytelling taught by Don Doyle.

In September 2006, I met with him to work on the Greek epic "Hephaestus: Fire Within", which addressed child abuse at infant and adolescent stages and the results when Hephaestus became an adult.

Click here if you want to know what else I learned from Don Doyle.

Basic concept of French Scenes:
French Scenes are main events of the story that begin with one or more key characters enter the scene and ends when one or more key characters exit the scene. Between entrances and exits are developments to the story whether in understanding the environment, revealing character, and forwarding the plot.

French Scenes tend to be divided into 5 parts though I could have as many as 32+ parts for a complicated story.

While meeting with Holly Robison, my story buddy for "The Gardener's Wife", we pulled out the thesaurus as we brainstormed works for character feelings. Time flew by so we did not complete all the scenes for story. Even one of her daughters came to check our project out. (permission granted to post picture)

Here are the French Scenes so far for this Colombian story--
***Please note that the Gardener's Wife will simply be known as Wife.

Scene 1:
Enter Wife
Exit Husband

Environment--
  • Inside house looking out to garden
  • Fall time for Colombia (or late summer)
  • Beautiful day--sun, blue sky, hear birds and breeze
Character/Feelings--
  • Wife--longing, wishful, hopeful, happy/sad, bewildered at husband's view
  • Husband--happy, befuddled at the answer that his wife wants of him, preoccupied with work
***Both have feelings of love and playfulness
Moving Plot Forward--
  • Establish that the Wife and Husband are childless
Scene 2:
Enter Thoughts about the 3 Sisters
Exit with Triple Weddings

Environment--
  • Garden--flowers will trigger memories about the village gossip
  • Same day as Scene 1--still beautiful day
  • Eventually memories transport from Garden to the Castle and Castle Grounds for weddings
Character/Feelings--
  • Wife--reflecting on comical "story", eye to detail, honored
  • All Sisters--joking, playful, dreamy, hungry
  • 1st Sister--(oldest)--leader and turns jealous and resentful
  • 2nd Sister--(middle)--follows the oldest Sister but likes the 3rd Sister's answer best
  • 3rd Sister--(youngest)--has bigger vision and spoiled
Moving Plot Forward--
  • Explains vengeance of two older Sisters towards the youngest (leads to babies switched)
  • Emphasize indifference of the King
Scene 3:
Enter Pregnant 3rd Sister
Exit 1st Baby Boy

Environment--
  • Castle and Castle Grounds with buzz by subjects of 1st born and turns to gasp/silence as discover the dog
  • 10 months later
  • Midwife Room
  • River
Character/Feelings--
  • 3rd Sister (pregnant)--loud, in pain, sleep deprived
  • 1st Sister (leader of scheme)--even more jealous, conniving, vengeful, grumpy
  • 2nd Sister (follower of scheme)--same as 1st Sister except nervous, worried to get caught
  • King--unconcerned, indifferent
  • 1st Baby Boy--quiet otherwise people would not believe the dog was born in its place
Moving Plot Forward--
  • Strange reactions for Queen and King of baby "dog", though Queen feels like something is missing later on
  • Baby will arrive to the Wife and Husband so the audience will know to whom the Baby belongs
Scene 4:
Enter Wife and Husband
Exit Wife with 1st Baby Boy into Home

Environment--
  • Outside at Garden near River
  • Beautiful day
Character/Feelings--
  • Wife--grieving, longing, despair, hopeless (another 10 months childless), then turns to surprise, curious, joy, tenderness, love, celebration, praising, thankful, wonder
  • Husband--happy, confused, worries more of where Baby comes from, otherwise same as the Wife
  • 1st Baby Boy--loved, content, though ill from being tossed on the water, tired when hears lullaby until completely asleep
Moving Plot Forward--
  • 1st Baby Boy has Home


More scenes will be added in a future post.















Until we tell again,


Rachel Hedman
Professional Storyteller
Former Co-Chair of Youth, Educators, and Storytellers Alliance (2005-2008)
Tel: (801) 870-5799
Email: info@rachelhedman.com
Performance Blog: http://familyfamine.blogspot.com
Other places to find me: Twitter, YouTube, Facebook, LinkedIn, Professional Storyteller

Friday, December 12, 2008

The 3:00am Discovery: Opening Story Found!


Oh how glorious it is to feel like the whole program is in place for "Family Famine: Hunger for Love"!

I wrestled at night, for my mind was bothered that I did not have an opening story. With less than two months away, I was in panic mode.

I had actually found center and finale stories for other "Family Famine: Hunger for Love" programs beyond the premiere--but no opening stories.

Yesterday I talked with Don Doyle on the telephone for some advice. I did not talk long as he was in the hospice to be at the bedside of his wife. If I had known before I placed the call, I would not have called.

Nevertheless, he brought up the Irish story The Changeling also known as The Brewery of Eggshells. My mind was shaken when he mentioned it as I had considered the story at one time for the "Family Famine: Hunger for Love" premiere. I had brushed the story aside as I thought that it was a tale too familiar with people. I tend to gravitate towards stories that few people know.

However, this may connect me with the audience faster as they hear something familiar yet shared with a Rachel twist.

So as this story tossed around in my head, I tossed about and could not sleep. Then at 3:05am I knew that The Changeling really was the story for this premiere and by 3:08am I sent an email to Elizabeth Ellis on my decision.

I had told this story for my St. Patrick's Day set in March 2008 and bookended this story with a personal moment being the oldest sister and my Mom showing off my little brother to everyone. This was similar to Mrs. Sullivan and her baby. She showed off her baby so much that the fairies exchanged her baby for one of their people.

The way I told it had humor as well as a kind of suspense found in a ghost story. I did a little research on fairies and changelings, though I could do more. This story could also address child abuse indirectly as Mrs. Sullivan asks her neighbors what to do. Some say to roast the child alive and other say to burn off its nose. I could emphasize this slightly and have Mrs. Sullivan wonder about her neighbor's children as a result of their answers.

Interestingly enough, this was my opening story in March 2008 and now it will be my opening story in February 2009!

Until we tell again,

Rachel Hedman
Professional Storyteller
Former Co-Chair of Youth, Educators, and Storytellers Alliance (2005-2008)
Tel: (801) 870-5799
Email: info@rachelhedman.com
Performance Blog: http://familyfamine.blogspot.com
Other places to find me: Twitter, YouTube, Facebook, LinkedIn, Professional Storyteller

Monday, September 29, 2008

"Economy of Language": From Teller's View


Sometimes people ask me to summarize a story. Often, the summary is longer than the story itself.

At one point, Don Doyle challenged me to take a 55-minute story and tell it as a 5-minute story. He knew that whatever I shared in that condensed time would demonstrate what was most important to me.

I made a couple attempts to do as Don asked. I was over in time each time though every practice brought me closer to the 5-minute goal.

Such an exercise is needed for any story that I share for "Family Famine: Hunger for Love", though perhaps the 5-minute goal could change to 3-minute or 1-minute challenges based on the average telling length of the story.

Elizabeth Ellis encouraged the "economy of language" for the storyteller while I was at East Tennessee State University working on my Masters in Storytelling. She continued that there were "millions upon millions of choices" for a storyteller to make into how a story is presented.

Is there a stronger--and perhaps shorter--way to tell the story or to form images in the heads of your listeners?

Until we tell again,

Rachel Hedman
Professional Storyteller
Co-Chair of Youth, Educators, and Storytellers Alliance
Tel: (801) 870-5799
Email: info@rachelhedman.com
Performance Blog: http://familyfamine.blogspot.com
Other places to find me: Twitter, YouTube, Facebook, LinkedIn, Professional Storyteller